They even start out gray, a reference to the unpainted figurines that are used in tabletop RPGs. “Wonderlands” offers the player a blank canvass on which to create their ideal character. Players move their character from point to point in the Overworld, which suffers somewhat from a glut of enemy camps and dungeons to clear, in “Tiny Tina’s Wonderlands.” This gave me the ability to toggle between powerful melee and ranged attacks, as well as provided access to two companions - a fire-breathing wyvern and a poison-spewing anthropomorphic mushroom. In my first play-through, I started as a Clawbringer and later added the Spore Warden class. There’s also the Clawbringer and Graveborn, both of which feature companions who fight alongside the player characters.Įventually, players can select a second class. Those classes range from up close and personal specialists such as the Stabbomancer and Brr-zerker to long-distance damage dealers such as the Spore Warden and Spellshot. There are three difficulty settings - easy, medium and hard - and half a dozen classes from which to choose.
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Players are given a considerable amount of freedom in how to approach the game. It’s a payoff that’s telegraphed well in advance but is nonetheless delightful to watch unfold. Once the busy work is out of the way, Gerritt shows up to proclaim his awesomeness and slay the eldritch creature you’ve (sort of) teamed up to put down once and for all, but he gets pulverized instead. “Wonderlands” also lovingly skewers other high-fantasy RPGs including “The Witcher.” In a side quest fittingly called “The Ditcher,” Gerritt of Trivia - a stand-in for Geralt of Rivia - saddles the player with tasks he deems necessary but beneath his status as a fabled hero. Challenged by the player’s character to end things then and there, the Dragon Lord casually remarks that the hero never beats the villain in the first quest, before making what would otherwise be a predictable escape. In the opening act, for example, players come face to face with the Dragon Lord following his resurrection by a minion. The writing is weird and wonderful, like in other “Borderlands” games, and perhaps the best it’s ever been. The Dragon Lord gains autonomy and goes off script to write a new ending that doesn’t involve his defeat at the hands of the heroes in “Tiny Tina’s Wonderlands.” No spoilers here, but the player enjoys a unique perspective through it all - the antagonist communicates directly with their character while Tiny Tina struggles to regain control of a plot she has quite literally lost. The adventure, however, quickly goes off the rails when the Dragon Lord, Tiny Tina’s most enduring creation, gains autonomy and goes off script to write a new ending that doesn’t involve his defeat at the hands of the heroes. Those familiar with the franchise will recognize the crystalline bicorn from “Tiny Tina’s Assault on Dragon Keep.” Things start out predictably enough: You are the hero, or the Fatemaker, and you have been tasked by - and I’m not making this up - Queen Butt Stallion with saving the Wonderlands from the machinations of the Dragon Lord. Their spaceship is out of commission thanks to Valentine’s questionable piloting skills and the only way to pass the time is to play “Bunkers and Badasses” - the video game’s version of “D&D” - with Tiny Tina. In “Wonderlands,” players find themselves stranded in the titular character’s cave with companions Frette and Valentine. It’s a pastime I miss dearly.Įnter “Tiny Tina’s Wonderlands,” the latest spin-off from Gearbox Software’s “Borderlands” franchise and just the sort of fix this delinquent “Dungeons and Dragons” player needed, even if it arrived in a much different package than expected. Growing up, I spent countless summer evenings in darkened rooms ensconced in high-flying adventures filled with might and magic. Tabletop role-playing games hold a special place in my heart.
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